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Review: 'My Sister’s Bones' Adaptation Falls Short of Novel's Impact

Despite a strong cast, the film adaptation of 'My Sister’s Bones' is criticized for failing to capture the dark intensity and psychological depth of the bestselling novel.

16 Feb, 22:08 — 17 Feb, 07:00
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Source Diversity

Source Diversity

Moderate (32/100)
2 sources— more sources would strengthen this score15/33
Spectrum spread2/5 buckets covered8/33
Far L1
Far Left (1)
The Guardian
Left
Center
Right1
Right (1)
wsj
Far R
Geographic diversity2 regions9/34
UK1US1
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wsjHigh178d ago

‘The Warhead’ Review: Deadly Accuracy - The Wall Street Journal

‘The Warhead’ Review: Deadly Accuracy  The Wall Street Journal

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The GuardianMostly Factual177d ago

My Sister’s Bones review – drab adaptation doesn’t deliver the dark punch of the bestselling novel

Despite the best efforts of the fine cast this psychological thriller about a war correspondent returning to her home town falls short of exploring the full scope of family trauma Fans of Nuala Ellwood’s bestselling psychological thriller about a war reporter revisiting the horrors of her childhood in Herne Bay may decide to stick with the book after this drab adaptation. Like a black sock that has infiltrated a wash-load of white bedsheets, the story has come out a dreary dull grey. The movie is stubbornly unintriguing despite a fine cast of actors doing their utmost. Even the almighty twist ending fails to pick up the pace. Jenny Seagrove plays Kate Rafter, a hardened correspondent haunted by PTSD. She’s back from a stint in Aleppo for her mum’s funeral and staying in her childhood home. Seagrove plays it imperiously, eyes flashing; Kate has witnessed terrible atrocities, and seems irritated by the smallness of the lives in her home town. But she is raw and damaged; there are flashbacks to Iraq where she befriended a young boy, and some unconvincing scenes of sessions with a psychologist trying to unpick the trauma of her childhood in a home terrorised by a violent alcoholic father. When Kate starts hearing a child crying in the next door house, no one believes her. Continue reading...

By Cath Clarke

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