Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality

Michael Almereyda’s 1994 horror romance is an indie gem – with a cameo from executive producer David Lynch as a morgue attendant Here is an amazing midnight-movie adventure, in the shape of the 1994 Dracula’s daughter horror romance from indie film-maker Michael Almereyda. It’s a lo-fi indie gem shot partly in indistinct monochrome, featuring dreamlike transitions and looming closeups, like something from early cinema. It was bankrolled and executive-produced by David Lynch, who appears in a ...

By Peter Bradshaw