‘We did a seance for Beethoven, to see what he thought’: the playful, pioneering life of field-recording maestro Annea Lockwood

The New Zealand composer burned pianos, sampled earthquakes and recorded Belfast’s peace walls. And at 86 is still invested in her life’s work: to appreciate the music in everyday sound A broken upright piano, tilted like the sinking Titanic, stands part-buried in a garden at Glasgow’s Counterflows festival. Experimental composer Annea Lockwood swipes a hand across its exposed strings and beams at the metallic clang. “Great piano!” she says, inviting other musicians and the audience to make t...

By Alastair Shuttleworth