Waves Turn review – the exhausting, joyful, boring, wondrous realities of new motherhood

Josephine Ahnelt’s gentle but truthful documentary has home-movie intimacy and some incredibly touching moments As a piece of art depicting motherhood, Judith Rohrmoser’s self-portrait of breastfeeding sticks two fingers up at the tradition of the Madonna with child. In her painting, Rohrmoser’s baby feeds contentedly, chubby cheeked and sleepy under damp lashes. The artist is less serene, looking directly at us, headphones clamped over her ears, eyes filled with what might be a roar of grief...

By Cath Clarke