
Critics Review New Film 'The End of Oak Street' Starring Hathaway and McGregor
Critics are reviewing 'The End of Oak Street,' a new film starring Anne Hathaway and Ewan McGregor, with many praising it as a fun, high-end action movie reminiscent of 1980s Spielberg films and a worthy successor to 'Jurassic Park'. A new review from Observador also discusses the film's use of dinosaurs.
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‘The End of Oak Street’ Review: Anne Hathaway and Ewan McGregor in Ersatz ’80s Amblin Nostalgia That’s Fun as Far as High-End Trash Goes
Dinosaurs rampage through suburbia terrorizing a family in this sci-fi survival thriller from writer-director David Robert Mitchell and producer J.J. Abrams.
By David Rooney
Read full article →‘The End of Oak Street’ Is the Best Vintage-Spielberg Rip-Off of the Past Decade
That's a compliment, as this conspicuous 1980s throwback about a suburban neighborhood overrun by rampaging dinosaurs is a true blockbuster rush
By David Fear
Read full article →‘The End Of Oak Street’ Review: Anne Hathaway And Ewan McGregor Try To Save Marriage By Battling Dinosaurs In A Rip-Roaring Ride Of A Summer Movie
Anne Hathaway has five, count ’em, five movies in release this year between May and October. The End Of Oak Street is the one that clearly isn’t going to take her back to the Academy Awards. However considering the sheer hell her suburban wife and mother goes through battling packs of dinosaurs while trying to […]
By Pete Hammond
Read full article →The End of Oak Street Review
The End of Oak Street hits all the right nostalgic notes for a family adventure clearly inspired by the '80s most iconic sci fi films. David Robert Mitchell pulls from the same back of tricks that made It Follows a cult classic to add just enough plumage to the dinosaurs to make his film more than just a Spielberg impression.
By Clint Gage
Read full article →The End Of Oak Street Review: Jurassic Park Finally Has A Worthy Spiritual Successor
The new dinosaur thriller from writer-director David Robert Mitchell is a wildly entertaining, if somewhat flawed sci-fi blockbuster.
By Molly Freeman
Read full article →

