Lambchop: Punching the Clown review – spectral, spellbindingly ambiguous stirring of US history

(City Slang) Sounding weathered but undimmed, Kurt Wagner feels as if he’s standing right in front of you as he sings superb, choir-swathed songs that invite and unsettle Thirty-two years on from their debut album – and 26 from Nixon, the gorgeous country/soul confection that brought “Nashville’s most fucked-up country band” to a wider audience – Lambchop find themselves in a curious position. Their sole continuous member Kurt Wagner has displayed an admirable disinclination to rest on his la...

By Alexis Petridis