DISCOURSE: THE STAMP OF A MASTER

The first time I stood beneath the ceiling of the Sadequain Gallery at Frere Hall, I could not look away. Arz-o-Samawat [The Earth and the Heavens] was Sadequain’s most ambitious mural and possibly his largest. His demise in 1986 left the mural permanently unfinished, and the empty blue space that remains gives the work a strange, mystic appeal, holding in itself the same intrigue that one might feel for the promised idea of heaven. Sadequain is said to have called it his own Sistine Chapel. ...

By [email protected] (Umer Sheikh)